Skip to main navigation menu Skip to main content Skip to site footer

Love, the Cosmos and the Raging Sea: The Surrealist Ecopoetics of César Moro

Abstract

In César Moro’s poetry, we can identify a consistent endeavor towards cosmic communion and the revival of the mythical vision that typified the rituals and relationships with nature of the ancient Amerindian cultures of Peru. This article elucidates these tendencies in the oeuvre of the Peruvian surrealist poet, specifically through the analysis of selected prose poems. These poems are primarily from the collection titled Cartas (1939), and ‘Biografía peruana’, a part of the book Los anteojos de azufre (1958). The personal appropriation of the surrealist proposition carried out by Moro, along with its mythical, imaginative, and emotional connections to the Andean territories, will be highlighted. The ecopoetic and hermeneutics approach of Moro’s work exhibit the possibilities and limits of the avant-garde and modern proposals to link the human being with the cosmic totality

Keywords

andean surrealism, peruvian ecopoetry, poetic clairvoyance, erotic episteme, cosmic communion

PDF (Español)

Author Biography

Pedro Favaron

Pedro Favaron (1979) is an academic researcher, poet, writer, audiovisual artist, and social communicator. Currently, he serves as a full-time professor at the Department of Humanities at the Pontifical Catholic University of Peru (PUCP). He is also a founding member of the Poetic Research Group of Mother Earth and the Research Group on Linguistics and Interculturality, Chana. In 2012, he completed his doctorate in Literature at the University of Montreal, Canada. Dr. Favaron has specialized in studying oral literature of Amazonian nations, as well as various aspects of the thought and spiritual practices of Andean and North American indigenous peoples. He has developed an ecological philosophy based on ancestral wisdom and medicinal ceremonies. Additionally, he has worked on intercultural themes to foster respectful dialogue between modernity and traditional indigenous thought. Dr. Favaron has authored numerous academic articles and books, published in various Latin American countries


References

  1. Canfield, Martha. Configuración del arquetipo. Università degli studi di Firenze, 1988. Impreso.
  2. Chihuailaf, Elicura. Discurso del premio nacional de literatura 2020, Elicura Chihuailaf, en el Senado de la República. YouTube, cargado por Francisco Huenchumilla, 23 de diciembre de 2021. https://www.youtube.com/watch?v=q-bfyQ2_B3M
  3. Coccia, Emanuele. La vida de las plantas: una metafísica de la mixtura. Miño Dávila, 2017. Impreso.
  4. Estela, Carlos, y José Ignacio Padilla, editores. Amour a Moro: homenaje a César Moro. Signo Lotófago, 2003. Impreso.
  5. Favaron, Pedro, editor. Voces de limo: muestra de poesía peruana en diálogo con el territorio y con la vida. Cactus del Viento, 2021. Impreso.
  6. Kent, Danivir. “Cuerpo, naturaleza y escritura en La voz de tinta de Edmond Jabes”. Imaginarios de la Naturaleza. Hermenéutica simbólica y crisis ecológica. Editado por Blanca Solares. Universidad Nacional Autónoma de México, 2021, pp. 273-291. Impreso.
  7. Moro, César. Obra poética I. Instituto Nacional de Cultura, 1980. Impreso.
  8. ---. “Los anteojos de azufre”. Amour a Moro: homenaje a César Moro. Editado por Carlos Estela y José Ignacio Padilla. Signo Lotófago, 2003, pp. 162-282. Impreso.
  9. ---. “Biografía peruana”. Voces de limo: muestra de poesía peruana en diálogo con el territorio y con la vida. Editado por Pedro Favaron. Cactus del Viento, 2021, pp. 74-81. Impreso.
  10. Noulet, Émelie. “E. Noulet escribe sobre un libro de César Moro”. La Prensa, 23 de abril de 1944, p. 8. Impreso.
  11. Paz, Octavio. El arco y la lira: el poema, la revelación poética, poesía e historia. Fondo de Cultura Económica, 1998. Impreso.
  12. Ramos, Gabriel. “La articulación del lenguaje surrealista de César Moro”. Lexis, vol. 39, núm. 1, 2015, pp. 101-132. https://doi.org/10.18800/lexis.201501.003 DOI: https://doi.org/10.18800/lexis.201501.003
  13. Reyes Ventura, Alfonso. “Naturaleza, animales y diosas en la pintura de Leonora Carrington”. Imaginarios de la Naturaleza. Hermenéutica simbólica y crisis ecológica. Editado por Blanca Solares. Universidad Nacional Autónoma de México, 2021, pp. 327-358. Impreso.
  14. Roberts, Donna. “Surrealism and Natural History: Nature and the Marvelous in Breton and Caillois”. A Companion to Dada and Surrealism. Editado por David Hopkins. Wiley-Blackwell, 2016, pp. 287-303. https://doi.org/10.1002/9781118476215.ch17 DOI: https://doi.org/10.1002/9781118476215.ch17
  15. Westphalen, Yolanda. César Moro, la poética del ritual y la escritura crítica de la modernidad. Universidad Nacional Mayor de San Marcos, 2001. Impreso.
  16. Wunenburger, Jean-Jaques. “Imaginarios ecosóficos y religiones monoteístas”. Imaginarios de la Naturaleza. Hermenéutica simbólica y crisis ecológica. Editado por Blanca Solares. Universidad Nacional Autónoma de México, 2021, pp. 361-375. Impreso.

Downloads

Download data is not yet available.

Similar Articles

<< < 1 2 

You may also start an advanced similarity search for this article.