Cultural memory in Warburg and the limitations of the construction of national memory in Colombia: Regenerationism and the Pre-Columbian past
Supporting Agencies
Universidad de Munich-Alemania
![](https://revistas.uptc.edu.co/public/journals/8/cover_issue_213_es_ES.jpg)
Abstract
Topics associated with memory and history occupy a growing space in cultural theories. This prospective study will explore the potential of the ideas of Aby Warburg inresituating aspects of Pre-Columbian past, particularly regarding its images. Warburg offers an analysis based on anthropological considerations, rather than stylistic
ones, linking together image and memory, especially through the concept of “survival”. This study shows the limitations of Colombian historical discourse, created by Regenerationism. The analysis focuses on the central image of illustrated newspaper: this is a very elaborate image that summarizesa type of historical thought in which there is no space for a past previous to the arrival of the Spanish. Consequently, we show some models of “survival” of the images of this past, and propose the issue of liberating their potential beyond presence in the museum, the tensions between archive and memory, and the need to rescue “remains” and “fragments” as forms of
“survival”.
Keywords
Colombia, Aby Warburg, Regeneration, visual memory.
Author Biography
Javier Vilaltella
Doctor en Historia del Arte, Universidad de Munich. Estudios en Filosofía y Letras, Universidad Autónoma de Madrid. Profesor de Estudios Culturales, Universidad de Munich. Javier.Vilaltella@romanistik.uni-muenchen.de
References
- Derrida, Jacques. Spectres de Marx, París 1993.
- Didi-Huberman, Georg. L´image surivivante, histoire de l´art et temps de fantomes selon Aby Warburg“. París: Ed. Minuit, 2002. DOI: https://doi.org/10.4000/questionsdecommunication.7290
- Didi-Huberman, Georg. Atlas ¿Cómo llevar el mundo a cuestas? Madrid: MNCARS, 2011.
- Dresler, Martin. Kunst und Neurowissenschaft en Neuroästhetik: Kunst, Gehirn und Wissenschaft“. Leipzig: Ed. Dresler Martin, 2009.
- Halbwachs, Maurice. Les cadres sociaux de la mémoire. París, 2009.
- Halbwachs, Maurice. La mémoire collective. París, 1939.
- Keilson, Hans. Festschrift Geschichte als Trauma. Frankfurt, 1991.
- Kongress Tel-Aviv. Holocaust und Trauma. Ed. Göttingen, 2011.
- Múnera Ruiz, Leopoldo. La regeneración revisitada: pluriverso y hegemonía en la construcción del estad-nación en Colombia. Bogotá: La Carreta, 2011.
- Nora, Pierre. Lieus de Mémoire 7 vols. (París, 1986-1992)
- Pérez Benavides, Amada Carolina. “Las representaciones de la nación en América Latina, siglos XIX y XX”, Memoria y Sociedad No. 28 (enero-junio 2010): 85-106.
- Reichel-Dolmatoff, Gerardo. Beyond the milky way. California: Ucla, L.A, 1978.
- Reichel-Dolmatoff, Gerardo. Goldwork and shamanism. Colina,1988.
- Richard, Nelly. Antología de la Revista de Crítica Cultural. Chile, Ed. Arcis, 2009.
- Rincón, Carlos. Consideraciones morales sobre el Museo del Oro del Banco de la República, (en prensa).
- Warburg, Aby. Sandro Botticelli. Madrid: Casimiro Libros, 2010.
- Warburg, Aby. Werke in einem Band auf der Grundlage der Manuskripte und Handexemplarea. Berlin: Ed. Suhrkamp, 2010.
- Warburg, Aby. Atlas Mnemosyne. Madrid: Ed. Tres Cantos, 2010.
- Weigel, Sigrid. “Die Kunst de Gedächtnisses ,das Gedächtnis der Kunst, zwischen Archiv und Bilderatlas” en Flach Sabine Bilderatlas im Wandel der Künste und der Medien. München, 2005.
Downloads
Download data is not yet available.