Skip to main navigation menu Skip to main content Skip to site footer

Permanent disappointment. Graham Greene’s Film Adaptations and Screenplays (1932-1958)

Abstract

This article performs an analysis of the text “The Novelist and the Cinema: A Personal Experience” by Graham Greene, in which the author reflects on the connections between his literature and cinema in 1958. A comparison is drawn between his reflections on the relationship between text and image as a critic and scholar and his film projects and adaptations of his novels. The article concludes that cinema was one of his main references as a novelist and his incursion into the medium increased his literary prestige. However, Greene maintained a deep distrust of the relationship between literature and cinema and its results and was very critical of them. The purpose of this paper is to contribute to the study of Greene by opening new perspectives and debates on the connections between literature and cinema.

Keywords

cinema, Graham Greene, film industry, literary script, film adaptation

PDF (Español)

Author Biography

Juan Agustín Mancebo Roca

Professor of Contemporary Art History at the University of Castilla-La Mancha (Spain). European PhD in Art History (UCLM, 2001) and Master of Aesthetics and Theory of Cinematography (University of Valladolid, 2008), he has developed research work at the Archivio del '900 of the Museum of Modern and Contemporary Art of Trento and Rovereto (2022 and 2021) and the Real Colegio Complutense, Harvard University, Cambridge, Massachusetts (2011 and 2010). Fellow of Aesthetics and Theory of the Arts at the Royal Academy of Spain in Rome (2013) and the Santander Foundation at the Autonomous Metropolitan University of Mexico (2012).


References

  1. Allain, Marie-Françoise. Graham Greene. El otro y su doble. Caralt, 1982. Impreso.
  2. Aresté, José María. Escritores de cine. Espasa, 2006. Impreso.
  3. Bertinetti, Paolo, y Gianni Volpi. Effetto Greene. Graham Greene y el cine. Bulzoni, 1990. Impreso.
  4. Biskind, Peter. Mis almuerzos con Orson Welles. Conversaciones entre Henry Jaglom y Orson Welles. Anagrama, 2015. Impreso.
  5. Bogdanovich, Peter. Ciudadano Welles. Grijalbo, 1994. Impreso.
  6. Crowther, Bosley. “The Quiet American”. El cine de Joseph L. Mankiewicz. Editado por Michael Barson, Cult Books, 2021, pp. 127-129. Impreso.
  7. Donald, James, Anne Friedberg, y Laura Marcus (Eds.). Close Up 1927-1933. Cinema and Modernist. Princeton University Press, 1998. Web. 1 de diciembre de 2022. https://monoskop.org/images/7/77/Donald_Friedberg_Marcus_eds_Close_Up_1927-1933_Cinema_And_Modernism.pdf
  8. Durán, Leopoldo. Estudio sobre “El poder y la gloria”. Caralt, 1981. Impreso.
  9. Gallagher, Tom. John Ford. El hombre y su cine. Akal, 2009. Impreso.
  10. Geduld, Harry. Los escritores frente al cine. Fundamentos, 1997. Impreso.
  11. Gimferrer, Pere. Cine y literatura. Seix Barral, 1999. Impreso.
  12. Greene, Graham. Caminos sin ley. Criterio, 1953. Impreso.
  13. ---. Brighton Rock. Asteroide, 2022. Impreso.
  14. ---. El final del affaire. Epílogo de Mario Vargas Llosa. Asteroide, 2019. Impreso.
  15. ---. El revés de la trama. Asteroide, 2020. Impreso.
  16. ---. El tercer hombre. Edhasa, 1998. Impreso.
  17. ---. En tierra de nadie. Prólogo de David Lodge. Edición y epílogo de James Sexton. Seix Barral, 2008. Impreso.
  18. ---. Reflexiones. Editado por Judith Adamson, Prensa Ibérica, 1990. Impreso.
  19. ---. The Graham Greene Film Reader. Reviews, Essays, Interviews & Film Stories. Editado por David Parkinson. Applause Theatre Books, 2000. Impreso.
  20. ---. The Pleasure-Dome. The Collected Film Criticism 1935-1940. Editado por John Russell Taylor, Seckler & Warburg, 1972. Impreso.
  21. ---. Una especie de vida. Seix Barral, 1987. Impreso.
  22. ---. Vías de escape. Seix Barral, 1990. Impreso.
  23. Hitchens, Christopher. Amor, pobreza y guerra. De Bolsillo, 2011. Impreso.
  24. Korda, Michael. Alexander Korda. Una vida de ensueño. T&B, 2003. Impreso.
  25. McBridge, Joseph. Tras la pista de John Ford. T&B, 2001. Impreso.
  26. Moeller, Charles. Literatura del siglo XX y cristianismo. Vol. 1. Gredos, 1970. Impreso.
  27. Montiel, Alejandro. “La oración de Maurice Bendrix. Graham Greene y el cine”. La madriguera, vol. 23, 1999, pp. 60-62. Web. 29 de diciembre de 2022. https://riunet.upv.es/handle/10251/41817
  28. Phillips, Gene. Graham Greene: The Films of His Fiction. Teachers College Press, 1974. Impreso.
  29. Sánchez Noriega, José. De la literatura al cine. Teoría y análisis de la adaptación. Paidós, 2000. Impreso.
  30. Sherry, Norman. The Life of Graham Greene. Volume One 1904-1939. Jonathan Cape, 1989. Impreso.
  31. ---. The Life of Graham Greene. Volume Two 1939-1955. Jonathan Cape, 1994. Impreso.
  32. Verde, Nuria. El verdadero tercer hombre. El Viento, 2020. Impreso.
  33. Vidal, Gore. Navegación a la vista. Mondadori, 2012. Impreso.
  34. Villar Flor, Carlos. Viajes con mi cura. Las andanzas de Graham Greene por España y Portugal. Comares, 2020. Impreso.

Downloads

Download data is not yet available.