Decadent Beauty and the Ultra-metalhead: a Brief Analysis of the Literary and Ideological Influences of Parabellum's Lyrics Andrés Felipe Bedoya Cely PDF (Español) XML (Español)
The Function of the Waltz in Valses y otras falsas confesiones (1972) by Blanca Varela Camilo Rubén Fernández Cozman PDF (Español) XML (Español)
“The Sweet Sounds of the Infinite Instruments” from the Decameron Chiara Capuccio PDF (Español) XML (Español)
Son Jarocho’s Versadoras: cyberorality and Gender Subversion in Evelin Acosta’s Decimario (2021) Julia Piastro PDF (Español) XML (Español)
Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias Irina Garbatzky PDF (Español) XML (Español)
Mistress or slaves? Drifts of lesbian desire between Armando Bo and Manuel Puig Lea Hafter PDF (Español) XML (Español)
Ernesto Sabato Antes del fin: autobiographical thinking and care of the self Hernando Urriago PDF (Español) XML (Español)
Oraliterature from the south of Tolima as border literature: beyond epistemic coloniality Javier Guerrero Rivera, Juan Pablo Guzmán Chaves PDF (Español) XML (Español)
Ernesto’s Journey of Individuation: A Jungian Analysis of José María Arguedas’s Los ríos profundos Luis Miguel Herrera Bejines PDF XML (Español)
Cubanness, Exile and Artist in Héctor Santiago’s La memoria del agua Charles Didier Noa Bela XML (Español) PDF (Español)
Cognition and Estrangement in Two Recent Argentinian Novels Lucía Feuillet XML (Español) PDF (Español)
Music in the Film Adaptation of La noche de la Usina by Eduardo Sacheri Claudia Caño Rivera XML (Español) PDF (Español)
Fictional Orality and Identity: The Case of Chabela in Hurricane Season by Fernanda Melchor Nathaly Bernal XML (Español) PDF (Español)
Palacios, Sánchez Gómez and Robinson Abrahams: a Reading of Three Novels that Contribute to the Afro-Colombian Heritage Edwin David Arévalo Murcia XML (Español) PDF (Español)
Temporality and Simulacrum of the Medieval Past in the Literary Present of Postmodernity: the Reformulation of the Story of Apollonius of Tyre in Mark Haddon’s The Porpoise Carina Zubillaga PDF (Español) XML (Español)
Sonances and Dissonances: Listening to the Ukranian Soundscape in the Holodomor Context (1932-1933) G. Angelica Vasquez Zarate PDF (Español) XML (Español)
Spaniards Exiled Poets in Dominican Republic (1939-1945) María del Carmen Alba Moreno XML (Español) PDF (Español)
Symbiosis Between Nature and Humanity in the Socio-Ecocritical Reading of Three Songs by Víctor Jara Cristóbal Allende Pino, Elvira Rodríguez Droguett XML (Español) PDF (Español)
Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas Federico Altamirano Flores XML (Español) PDF (Español)
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX Milagro Martín-Clavijo PDF (Español) XML (Español)
Lapsus calami and irony: On gender stereotypes in Carmen Martel’s La Estrella de rubíes Santiago Sevilla-Vallejo XML (Español) PDF (Español)
“Neither Have I Gone Mad nor Stupid”: Writing as a Defense of Dignity in Agustina González López (1891-1936) Eva María Moreno Lago PDF (Español) XML (Español)
The Feminist Discourse in the Blanca de los Ríos’ Journalistic Work Juana Escabias Toro PDF (Español) XML (Español)
Lota España: Unpublished Manuscripts of Dolores González Pérez, a Writer Forgotten by Patriarchal Criticism and Historiography Dolores Vela García XML (Español) PDF (Español)
An Approach to María de los Reyes Fuentes and her Poetic Cycles Juan Aguilar González XML (Español) PDF (Español)
